degrees in piano performance from Juilliard. I think that's really a significant thing that's happening right now in real-time. John: I think it's really interesting, Alex, that this idea that-- Representation, of course, is important, but this idea of the narrative of classical music is beyond race, is something universal. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the . Jones and Johns are current musicians in the Gateways Music Festival orchestra and its members recorded themselves at home for WQXR to put together for a virtual from-home performance. John: I want to come back to Jeff's first question to you, which was about the significance of being here. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Before I'd conceived this piece, I had this poem, and it just kept resurfacing in my subconscious. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. Orchestra Hall World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert. Anthony: There was an assembly of musicians and people here within the organization that very carefully crafted this program along with Michael Morgan. If you can see it, you can be it, is the expression. It's our greatest cultural export as a nation. It's our national anthem. That's an unfair question. , the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. We understand its importance, so that's really significant. You've been in the Gateways Orchestra since the start. A very gala-feel to this event. All rights reserved. The Festival was initially scheduled for this November, with a Rochester kick-off, but was rescheduled to next Spring due to the coronavirus pandemic. We did that in Rochester also a couple of days ago when we presented this program minus the Batiste work. His answer was, "I felt that Carnegie Hall, that places like that were not meant for people who looked like me and it was important to make that step and to be seen on that stage. Visit our website. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" Jeff: Absolutely. General Admission. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. There is an improvisatory element to it. All rights reserved. Adults: $20 | Seniors and Students: $15 | Children/Youth (Under 18): Free, ABYSSINIAN BAPTIST CHURCH132 W 138th StreetNew York, NY. From hall music by the late American composer, George Walker, his SinfoniaNo. For details on event times, prices,and locations, call 232-6106 or visit gatewaysmusicfestival.org. He . The orchestra just rehearsed his new piece for the first time on Thursday, it's called. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. Paul Burgett was a leader in classical music. It's a real honor to be here with all of you and in my inaugural. This artist has also appeared with: This artist not appeared with any other performers that we know of. These and additional COVID-related policies can be found here. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Gateways Music Festival was founded in 1993 by Armenta Adams Hummings Dumisani in Winston-Salem, North Carolina. I should have asked you that before this began, but I'll lay it on you anyway. John Schaefer's here as well. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. The group was originally based in North Carolina but later moved to Rochester, New York in 1995 after its founder joined the faculty of the Eastman School of Music. Does that resonate with you? Anthony Parnther: It's a real honor to be here with all of you and in my inaugural. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. I think the possibility of spontaneity is what makes this particular live performance so deeply engaging and organic for everybody involved including the audience. GATEWAYS MUSIC FESTIVAL, INC.26 Gibbs Street, Box 58Rochester, NY 14604, info@gatewaysmusicfestival.org(585) 274-1170. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. The Brahms to begin, and then the Variations on ". " Anthony: I just thought that it was so beautifully executed. John: As Jon Batiste's piece just showed. It's our greatest cultural export as a nation. Enjoy the rest of your brief intermission. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. Okay. Gateways Music Festival Orchestra (photo: Keith Bullis) Gateways Music Festival has received a substantial award of $800,000 from The Andrew W. Mellon Foundation. Anthony Parnther | Photo by Konstantin Golovchinsky. Congratulations. Jon: In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. Because of limited seating capacity in the Hatch Hall, we urge you to get your tickets as soon as possible. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. Founded in 1993, the orchestra brings together classical musicians of African descent from professional orchestras around the nation to share in music making and performance and to promote its philosophy that classical music belongs to all people, and that people of African descent have played an important role in classical music for centuries.. He also told us they want to be a resource for the larger community. John: Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of "I can.". I just thought that it was so beautifully executed. In no time he charmed us with his wit and delighted us with his energetic performances. Not heard in this place until just now by the Gateways Music Festival Orchestra. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. Then we'll proceed into the piece, I Can. This is Carnegie Hall Live. John: I Can, the name of that piece. It's a beautiful moment. Bagikan di Facebook . That annual festival, which features classical musicians of African descent, will include a performance this coming. Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. Carnegie Hall Live is a co-production of WQXR and Carnegie Hall. 3. As long as we stick to that principle, I think that's the vision. It's our national anthem. What does it mean to have you and your colleagues in this place at this time? I wonder if in working with them now if any vision has occurred to you? Of course, that's not true. Enjoy the show. is sacred to my community. Gateways For: STUDENTS ; FACULTY & STAFF; ALUMNI; PARENTS Another curtain call for Conductor Anthony Parnther. Berry holds a B.M. People come to, I think, to concerts halls, not only to hear music but also to be affirmed culturally in their selves. During April 2022 Festival, the Gateways Orchestra became the first all-Black classical symphony orchestra ever presented by New York City's Carnegie . Learn More In the Know with GFO Young Artists Program LEARN MORE Children's Outreach Gateways Music Festival in association with Eastman School of Music announced on Dec 7th that Anthony Parnther will lead the Gateways Music Festival Orchestra at its eagerly anticipated performances at Kodak Hall at Eastman Theatre (April 20) and the Orchestra's Carnegie Hall debut (April 24).Known for his "charismatic, captivating conducting" (Los Angeles Times), Parnther takes the . That was my first Gateways. A A. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. Click on individual event for more information and to purchase tickets. John: It turns out that Gateways isn't just an organization that serves musicians. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. Can you distinguish for us the difference between the festival proper and the festival orchestra? First, I would love to thank everyone who made it possible for us to be here, the ancestors who are watching over us. In Wynton Marsalis's re-imagining, A Fiddler's Tale, he takes Stravinsky's early jazz ingredients even further, melding jazz and classical idioms together with an updated narrative. They're equally important to us. 1 in E Minor); and the orchestras signature closing piece, Fantasia on Lift Every Voice and Sing, by African American film and classical music composer James Cockerham. We know that it is, and that's what we're doing. Jon Batiste & the Gateways Festival Orchestra. Of course, the orchestra, a whole bunch of people on stage, makes a great sound, gets a lot of attention, makes a big statement. At recent festivals, the Gateways Music Festival Orchestra comprised 125 instrumentalists, many drawn from such major orchestras as the New York and Los Angeles Philharmonics, the Cleveland Orchestra and the National, Boston, Houston, Phoenix and Detroit symphonies. HATCH RECITAL HALLEastman School of Music433 East Main StreetRochester, New York. Description. Anthony has conducted artists spanning every musical genre including Joshua Bell, Jessye Norman, Yundi Li, Lynn Harrell, Frederica von Stade, Roderick Williams, Canadian Brass, Jennifer Holliday, Kanye West, Imagine Dragons, Omar Apollo, and Alan Walker. They're equally important to us. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. Yes. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. << Galilee Chamber Orchestra. . One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. John: It is interesting that you went to Mozart and Beethoven. You can hear that the audience, again, willing to go there and applaud each of the musicians as they stand. From August 6 through 11, 2019, 125 professional classical musicians of African descent are invited to Rochester, NY from across the . I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. . Congratulations. 56a; George Walkers Sinfonia No. The all-Black Gateways orchestra makes its Carnegie Hall debut on April 24, after a week of events at Harlem's Abyssinian Baptist Church, the Schomburg Center for Research in Black Culture, and other key NYC cultural spots.The orchestra represents a supportive artistic home for its members, all of whom are professional classical musicians of African descent. Congratulations. CARNEGIE HALL PRESENTS National Youth Orchestra of the United States of . To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. There were two halves to the concert, obviously before and after intermission. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. General Admission. On Sunday April 24 at 3:00PM, the Gateways Music Festival Orchestracomprised entirely of professional classical musicians of African descentmakes their highly anticipated Carnegie Hall debut . That's a big step for us as well. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. For 30 years, Gateway Music Festivals & Tours has led the music tour industry with seamless performance tours for choirs, orchestras, concert bands, jazz bands and marching bands. We principally had one and a half days to piece this work together. Orchestra, Simfnica de Barcelona i Nacional de Catalunya, Jacaranda - Music at the Edge, Hear Now Music Festival, Pittsburgh Microtonal Festival, Hollywood Chamber Orchestra, BrightworkNewMusic, and the World Opera Forum in Madrid, Spain. . Gateways Music Festival Orchestra 2023 tour dates. It can also serve as a beard or it can veil other, I think, less inclusive narratives. I'm sure she wouldn't mind me telling her age. Anthony: -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. Carnegie Hall Live is a co-production of WQXR and Carnegie Hall. It's a world premiere. That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. Since then, musicians have been eagerly performing this real treasure trove of music. In May 2016, Gateways Music Festival formally affiliated with the Eastman School of Music, a festival partner since 1995, but remains an independent non-profit organization. It turns out that Gateways isn't just an organization that serves musicians. Paul J. Burgett Lecture SeriesBlack Idioms in the Music of Florence B. Instead of a minuet or scherzo with trio you got a Juba. Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. This is a guy, Jeff, who is having a moment. Thank you so much. This is really, I think what Gateways does for us, in addition to bringing us together to make a joyful noise, in addition to bringing together a community that is often geographically separate but spiritually connected, it allows for an intellectual exchange that is captivating to us and we're finding to others as well. Gateways Music Festival Orchestra was founded in 1993 by prominent pianist and educator Armenta Adams Dumisani. Jeff: This is going to be quite a wonderful world premiere and a big occasion. Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. I can play rap. It's wonderful to have you here. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. That was our mentor's vision. Tweet Save . Proof of vaccination is required to enter Carnegie Hall and masks must be worn inside at all times. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. Search University of South Carolina University of South Carolina Navigation. What was the idea there? All Rights Reserved. Conductor Anthony Parnther is also out on the stage now with the rest of the Gateways Music Festival Orchestra. The concert also included works by the German composer Johannes Brahms (18331897); George Walker 56E (DMA) (19222018), the first composer of African descent to win a Pulitzer Prize (Lilacs for Voice and Orchestra, 1996); Florence Price (18871953), the first African American female composer to have her work performed by a major orchestra (1933 Chicago Symphony performance of Symphony No. Since its inception in 1993, the Gateways Music Festival Orchestra has cultivated diversity in the classical music scene. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. 4/25/2022 12:00 AM. Experience the rich sounds of the @gateways_music orchestra on Wednesday, April 20 at @EastmanTheatre for free. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. 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